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#A-Classic Coves |
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3/4'' wide shown in burnished 12karat white gold leaf and natural walnut finishes |
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#A-Wedge w/classic cove lip |
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wide reverse wedge with classic cove lip gilded in 22 karat gold leaf on red bole |
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#A-Mod |
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modernist frames shown in white and natural cherry |
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#X-copper laurel |
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running pattern of laurel leaves in composition ornament shown in an antiqued copper finish |
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#A-Cross Corner |
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shown in 22 karat matte gold finish on antiqued gesso finish |
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#F690 40s finish |
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antiqued gold metal leaf on a deep orange base |
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#F690 "tenacious" 22kt |
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high polished lightly antiqued modern frame |
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#F-724 cut a/c |
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hand-carved arts and crafts style frame shown in 22 karat gold leaf water gilded and burnished |
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#F-724 cut ac scoop |
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22 karat gold leaf on a hand-carved frame |
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#F-756 cc |
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antiqued gold metal leaf with carved corners |
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#F-756 nicolay |
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warm antiqued aluminum leaf |
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#F678-classic |
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antiqued 22 karat gold leaf on a heavy antiqued gesso base. |
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#F-"Moxie" |
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hand-carved and gilded with 22karat gold leaf on an antiqued gesso base. I call it "Moxie" because it is based on a design I saw on a frame surrounding the portrait of the inventor of the tasty beverage "Moxie." |
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#federal coves |
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shown in 3 1/2'', 2 5/8'', and 1 1/2'' widths |
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carved gallery frame |
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shown in 22 karat gold leaf on red bole. hand-carved. |
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#A-hd floaters |
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heavy duty floaters deep enough for canvas stretchers of 1 1/2'' deep. Shown from top in natural maple, black-3/4'' wide, and white |
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#A-large tray |
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blackened with layers of aniline dye. This cherry frame is lustrous with its satin finish. With a gold fillet at the sight edge it's a great choice for antique samplers |
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#A laurel cove |
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a large profile ideal for paintings from the 19th century.
shown in 22 karat gold |
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# A lieberman liner |
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the liner for a painting by Max Lieberman. 22 karat burnished and antiqued lip on a wedge liner with a custom painted finish on the panel |
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#A-marcoussis |
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frame designed for a painting by the cubist artist Marcoussis. In a deep black and aluminum leaf finish |
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#A-modern |
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a box-like frame design reminiscent of the Mondrian frame shown here in a russet and antiqued gesso finish |
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#X-Monarch |
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12 karat white gold burnished and matte on a carved gesso surface |
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#X56-narrow-12 karat wht |
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etched gesso gilded with 12 karat white gold. This frame was designed for a collection of early 2oth century etchings |
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# s24-hgsand_ant/s |
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antiqued aluminum leaf on a heavy textured finish |
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#s24-1.25 palladium |
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watergilt and burnished palladium leaf |
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# Xsm-dutch |
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rich layers of painted finish make this frame a beautiful choice for classic collections of art from the 16th century |
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#A-std floaters |
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samples from our standard floater line. deep enough to accommodate paintings on 3/4'' deep stretchers |
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#F-victorian acanthus corner |
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deep antiqued gold metal leaf finish using a laurel leaf and acanthus leaf pattern |
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#X-1022ab |
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22karat matte and burnished gold leaf arts and crafts style frame |
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#X 9-1 |
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samples of various finishes for this 1'' wide profile. From top to bottom: 22 karat burnished gold, deep antiqued pewter, antiqued copper |
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#X 9-2 |
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various samples for the 9-2 profile shown in metal leaf, burnished 22 karat gold, and antiqued aluminum leaf |
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#X 9-2 reverse swan |
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shown in polished black |
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#X-franklin swan |
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shown in polished and antiqued gerogian orange bole. |
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#X-mod swan ant/s |
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shown in an antiqued aluminum leaf finish. can be used to frame something under glass or as a contemporary floater frame |
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#X-rsn zorach-12kt |
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burnished 12 karat white gold on a combed gesso textured finish |
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